Friday, June 15, 2018

Interview Feature - Soprano Christina Thè



Our correspondent Alvin Koh interviewed Singaporean-Australian soprano Christina Thè, currently serving as artist-in-residence at New Opera Singapore and will be featured in their upcoming production of Dialogues of the Carmelites, 3 and 5 August 2018. Check out their exchange below!


Thursday, June 14, 2018

Opera in the Park 2018 - Gounod and Bernstein - 23 June 2018


The Singapore Lyric Opera with its combined Children's Choir, Chorus, Orchestra and singers from the Artists Training Programme together with conductor Joshua Kangming Tan present an evening of operatic delights in the natural beauty of the Singapore Botanic Gardens.

The evning's soloists are Cherie Tse, Zhang Jie, Chieko Sato, Zerlina Tan, Jack Sun Zhaorui and Dennis Lau from the Artists Training Programme. In commemoration of the birthdays of Charles Gounod and Leonard Bernstein, They will present many arias and duets from Romeo et Juliette, Faust, Trouble in Tahiti and West Side Story.


Additionally, the combined chorus and orchestra will present an encore performance of the Triumphal March from Aida. If you have missed our exciting run earlier or would like to experience its magic again, now is your chance to do so!

Opera in the Park takes place at the Singapore Botanic Gardens Symphony Stage, 23 June 2018, Saturday at 6pm. Admission is FREE! 

Friday, June 1, 2018

Interview with Israel Lozano - SLO's Aida - 1 to 6 June 2018



One of the pleasure of rehearsing for an international production such as the Singapore Lyric Opera's Aida (where I am playing the Pharoah) is meeting singers and creative team who come from all over the world.

Israel Lozano, who hails from Spain but is now based in Washington D.C., is one such artist that I am happy to have made my acquaintance. Here is a committed singing actor for whom the demands of character is as important as the demands for the voice and music, and oozes Latin charm effortlessly in his stage comportment.

Having made rounds in the international operatic curcuit, Israel counts Placido Domangi as an important mentor, having been in his Young Artist Programme at Washington National Opera, won three prizes when he competed in Operalia and performed in no less than three productions with the living legend.

Here we chat about his experience working on the SLO's Aida in Singapore, and his journey pursuing a career as an opera singer.

Friday, May 18, 2018

Quick Chats with Nancy Yuen and Thomas Ruud - SLO's Aida - 1 to 6 June 2018


We have a few words with the stars of the Singapore Lyric Opera's upcoming Aida, to find out more about them as well as the upcoming production.




The Mad Scene: Hi Nancy! Thank you for chatting with us today. As SLO’s artistic director, why pick Aida to present to Singapore for this year?

Nancy Yuen: As one of the major operas in the repertory, Aida has never been featured on SLO’s calendar. It is about time this great masterpiece be presented to the Singapore audience.

The Mad Scene: When and where did you last perform the title role of Aida? What is different in assuming the role now compared to back then?

Nancy Yuen: My last visit to the role of Aida was in Dublin nearly two decades ago. Having sung it before, the big difference now is that I have twenty more years of maturity to the vocal technique and life experience. I really look forward to the continuing challenges that this demanding role brings.

The Mad Scene: Lastly, what can Singaporean audiences look forward to in this Aida production?

Nancy Yuen: There will be no fewer than a hundred performers on stage with spectacular sets, colourful costumes, mesmerizing lighting and glorious sounds to all the familiar tunes of Aida. It certainly is not something anyone should miss. I implore all Singaporeans and visitors to come for this once in a lifetime experience.



The cast of SLO's Aida

The Mad Scene: Hi Thomas! Thank you for doing this interview with The Mad Scene. Firstly, how would you describe your voice to those who have yet to hear you?

Thomas Ruud: It is difficult to describe one’s own voice, but people have described it as a lyric dramatic voice. They have said my voice is very full, with the typical Scandinavian timbre, that one can very easily recognize in Jussi Bjørling’s voice, for instance. But I think that other people should describe my voice, and not I.

The Mad Scene: When and where have you performed Radames?

Thomas Ruud: I have sung the role of Radames once, in a semi-staged production in Sacramento, California some years ago.

The Mad Scene: Having made your debut as the Rossini Count Amalviva, how did your voice go from a light lyric role like this to Radames?

Thomas Ruud: I have actually sung the role of Count Almaviva over 150 times in 8 different productions. One was with the Nobel prize winner in Literature, Dario Fo, as the stage director with the famous Rossini specialist Alberto Zedda conducting. The voice naturally matures through the years due to ageing of the body. It’s very important to never stop taking lessons, as your voice develops all the time due to the change of your muscles. I find it absolutely necessary to always work on one’s technique, so that your voice stay healthy and free. Then as you grow older you may take on more dramatic roles, and thus slowly let your voice mature.

The Mad Scene: Is this your first time performing in Singapore? Are you looking forward to working here? And why?

Thomas Ruud: This is not my first time performing in Singapore. I was the soloist in Puccini's Messa di Gloria last October. I am very much looking forward to coming back. I really like the people in Singapore. They are very polite and friendly, and the country is very beautiful. I am looking forward to performing the role of Radames. There are many very good soloists in this production. The orchestra is very good, and from what I have learned so far, this will be a spectacular production of Aida.

More information about Thomas Ruud at http://www.thomasruud.net.



Sneak peeks at the sets and costumes as well as rehearsals promise a truly exciting production to come, one that is traditional in its setting yet contemprary in its delivery. Get your tickets at SISTIC now and see you at the Esplanade Theatre from 1 to 6 June 2018!

Trivia About Mamma Mia, Returning to Singapore on 3 Nov 2018

With Mamma Mia 2 (starring the amazing Cher) due to hit cinemas soon, its a fitting time for Singaporean audiences to check out the original Broadway classic that has taken the world by storm once again. Here are some facts and figures that you might not know about the original Mamma Mia production; check it out and see you in the theatre from 3 November onwards! 




Mamma mia!!! ARE YOU EXCITED!?!?!?! Check out the Events Page for tickets!!!!!!!!

The Lion King - Original Run Extended Due to Popular Demand - 27 June to 26 Aug 2018


Julie Taymor's hit production of The Lion King returns to Singapore come 6 June 2018. Originally slated for a run of two months, it has since been extended till 26 August 2018 due to popular demand. Come celebrate National Day with all the world-class singing, acting, dancing and puppetry that this talented cast and crew have to offer!

Check out our original feature story about this exciting production, and log on to our Events Page for more details on where to get tickets!

Monday, May 14, 2018

Legally Blonde the Musical - Running at MBS till 20 May 2018


Legally Blonde  is a hilarious musical theatre remake of the hit comedy starring Reese Witherspoons. Now running in Singapore at MBS's Mastercard Theatres, it features Broadway stars Maris McCulley as Elle Woods, Jayson Speters as Emmett Forrest, Mychal Phillips as Paulette Bonafonte and Mark LaDuke as Warner Huntington.


Check out our exclusive interview with music director Wendy Feaver, and look at our exclusive production pictures on our Facebook Group.






OMG are you excited!?!?! Get your tickets for Legally Blonde at SISTIC now!!!!!!!